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U P L O A D E R
Otto Klemperer - The Collection - 1934-1963 Recordings [Box Set 72CDs] (2024) FLAC
Classical
FLAC, Lossless (track) | 18,9 Gb
Tracklist
Classical
FLAC, Lossless (track) | 18,9 Gb
Tracklist
Disc1-2
● Mozart: Symphony No. 29 in A major K201 / 186a
Philharmonia Orchestra
Recording: 1963 December 19,
● Beethoven: Symphony No. 8 in F major op.93
Philharmonia Orchestra
Recording: October 14, 1963
● Mahler : Symphony No. 2 in C minor, "resurrection"
Philharmonia Orchestra
recording: 1963 December 19,
recording at the Royal Festival Hall in London. Mozart and Mahler are stereo, famous for FM broadcasting and others. In the second half of 1963, Klemperer is like that there were many of the the comfort command, but such trend was noticeable even in such as the same period of the session recording, where the feeling is such a feature also in the goodness of demonstration unique flow It has become a splendid finish. Mozart's 29th is 25 minutes, Mahler is 80 minutes, Beethoven is 26 minutes playing time.
Disc3
● Beethoven: Symphony No. 1 in C major, op.21
Philharmonia Orchestra
Recording: 1963 December 2
● Beethoven: Symphony No. 5 in C minor, op.67 "fate"
Philharmonia Orchestra
Recording: 1960 May 31, 2008
Symphony No. 1 in the recording at the Royal Festival Hall in London, playing time is about 27 minutes. Symphony No. 5 "Destiny" is a recording at Musik Feller Insard at the time of visiting Vienna. The performance time is about 35 minutes. Klemperer physical condition also seemed top form, had led to the continuous concert of Beethoven to great success.
Disc4
● Beethoven: Symphony No. 9 in D minor op.125 "chorus"
Agnes Giebel (soprano)
Christa Ludwig (mezzo-soprano),
Richard Lewis (tenor)
Walter Berry (baritone)
Philharmonia Orchestra & Chorus
Recording: 1961 On November 27,
at the Royal Festival Hall in London, the recording time is about 68 minutes. Always has been set the tempo of the faster than, great success was achieved the same "Fidelio", it is possible to enjoy a rare performance that rich is also huge driving force while feel the natural breathing in March of the same year is. In addition, four soloists, all of Mahler also is the place is interesting is a singer and repertoire. Even so interesting is, the ninth of the tenor of existing Klemperer is, during the seven types, terms of up to six types is due to the singer, who is known by the name唱of "Song of the Earth".
Disc5
● Beethoven: Symphony No. 8 in F major op.93
Philharmonia Orchestra
Recording: 1960 June 4
● Beethoven: Symphony No. 6 in F major op.68 "Pastoral"
Philharmonia Orchestra
Recording: 1960 June 2,
Disc6
● Beethoven: Symphony No. 3 in E flat major op.55 "hero"
Philharmonia Orchestra
Recording: 1960 May 29,
● Beethoven: "Egmont" Overture op.84
Philharmonia Orchestra
Recording: 1960 May 31, 2008
● Beethoven: "Coriolan" Overture op.62
Philharmonia Orchestra
Recording: June 4, 1960
Disc 7
● Beethoven: Symphony No. 2nd major, op.36
Philharmonia Orchestra
Recording: May 29, 1960
● Beethoven: Symphony No. 4 Bloom major Op. 60
Philharmonia Orchestra
Recording: May 31, 1960
Disc 8
● Beethoven: Symphony No. 1 in C major Op.21
Philharmonic Orchestra
recording: June 7, 1960
● Beethoven: Symphony No. 7 in A major, op.92
Philharmonia Orchestra
recording: June 2, 1960
● Beethoven: Prometheus 'Creation' Overture op.43
Philharmonia Orchestra
Recording: June 2, 1960
Disc9
● Beethoven: Symphony No. 9 in D minor op.125 "chorus"
Vilma lip (soprano)
Ursula, Bose (alto)
Fritz Wunderlich (tenor)
Franz class (bus)
Musikverein Choir
Philharmonia Orchestra
recording : June 7, 1960
Recording at Musik Feller In Saar. Because of the Vienna Art Week appearances, Klemperer visited Vienna led the Philharmonia Orchestra physical condition also seemed top form, has led to the continuous concert of Beethoven to great success. On May 29th of the first day, he played "Heroes" who are good at it and No. 2 and others. On this day the same Musikverein Large Hall, the day during the day should be commemorated that 4 Mahler as "unfinished" has been played by Bruno Walter conducting the Vienna Philharmonic, the concert of emotional rich Walter against, the concert of Klemperer did contrast ones, such as "hero" to approach in such a scale and strength towering. The success of Beethoven Tsuikurusu at this time of Klemperer, as suggesting also a famous rehearsal video of "Egmont" Overture, said to have been brought to the ends of the rigorous practice, thoroughly also with fine sound form for important elements The basic attitude of emphasizing the form that accurately reproduces it is well appeared. For this reason, also entered the demonstration to increase the degree of freedom, form rather than to cause the collapse, even while absorbing the momentum of the sound of the demonstration unique, not rare Beethoven image showing perfectly robust and wealth of information is built I will.
Disc10
● Beethoven: "dedication" Overture op.124
Philharmonia Orchestra
Recording: August 24, 1958
● Beethoven: Symphony No. 5 in C minor, op.67 "fate"
Philharmonia Orchestra
Recording: August 24, 1958
● Haydn: Symphony 101nd major, "Watch"
Philharmonia Orchestra
Recording: August 24, 1958 Recording
at Usher Hall , Edinburgh. "Fate" in Scotland's Edinburgh Music Festival is a quick time of about 33 minutes with iteration of both ends movement.
"Dedication formula" over 11 minutes,
Haydn "watch" is a playing time of 27 minutes, an atmosphere with a high tension that makes Klemperer understand that the performance just before the "sleeping cigarette whole body large burns heavy incidents" happens is attractive.
Disc11
● Beethoven: "dedication" Overture op.124
Philharmonia Orchestra
Recording: 1960 May 29,
● Beethoven: "Egmont" Overture op.84
Philharmonia Orchestra
Recording: 1957 November 3
● Beethoven: Symphony No. 6 turn in F major op.68 "pastoral"
Philharmonia Orchestra
recording: October 7, 1958
"dedication" Overture time playing in the recording at the Musikverein Saar is 11 minutes.
"Egmont" overture is a recording at the Royal Festival Hall in London, and the playing time is 9 minutes 17 seconds.
"Rural" is a comfortable tempo of 42 minutes with the first and third movement iterations with recording at Usher Hall in Edinburgh. The atmosphere with a high tension that leads to "fate" of Disc 10 is attractive.
Disc12
● Beethoven: Symphony No. 2 in D major op.36
Philharmonia Orchestra
Recording: October 24, 1957
● Beethoven: Symphony No. 4 in B flat major op.60
Philharmonia Orchestra
Recording: 1957 November 8
in London Recording at the Royal Festival Hall. The second number is recorded about 3 weeks after the EMI session recording, but the performance time is the tempo of the session is 37 minutes 31 seconds, the live time is 34 minutes 21 seconds fast.
No. 4 is about 2 weeks after recording, the performance time is 35 minutes 40 seconds for the session, 34 minutes 17 seconds for the performance is a slightly faster tempo.
Disc 13
● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
Philharmonia Orchestra
Recording: October 24, 1957
● Beethoven: Symphony No. 7 in A major, op.92
Philharmonia Orchestra
recording November 3, 1957
London Recording at the Royal Festival Hall. The fifth is the recording of the first session recording of EMI two years later, but the performance time is the tempo where the session is 35 minutes 2 seconds, the live is 34 minutes 9 seconds somewhat faster.
The seventh number is recorded two years after EMI's first session recording, but the performance time is about 36 minutes 56 seconds for the session and 37 minutes 4 seconds for the live performance.
Disc 14
● Beethoven: "Egmont" Overture op. 84
Philadelphia Orchestra
Recording: October 27, 1962
● Beethoven: Symphony No. 3 Ehoshiho Major op.55 "Hero"
Philadelphia Orchestra
Recording: October 1962 Day
Disc 15
● Bach: Brandenburg Concerto No. 1 in F major, BWV. 1046
Philadelphia Orchestra
Recording: November 3, 1962
● Beethoven: Symphony No. 6 in F major Op.68 "Country"
Philadelphia Orchestra
Recording: 1962 10 Monday the 20th
Disc 16
● Mozart: Symphony No. 41 in C major, K.551 "Jupiter"
Philadelphia Orchestra
Recording: November 3, 1962
● Brahms: Symphony No. 3 in F major Op. 90
Philadelphia Orchestra
Recording: October 1962 27th
Disc17
● Schumann: Symphony No. 4 in D minor op.120
Philadelphia Orchestra
Recording: October 27, 1962
● Beethoven: Symphony No. 7 in A major op.92
Philadelphia Orchestra
Recording: 1962 November 3,
Klemperer is Live recording when guests are guest at the Philadelphia Orchestra of the Ormandy era. There is a problem in sound quality, but it is a precious record. It is Philadelphia Orchestra which was also the stronghold of "Modern Arrangement" following Sukhovsky, Omandy, but at this time Clenpeller stayed there for about two weeks or so, as the orchestra is quite unusual "Orthodox arrangement (Violin winged type) ", and it is good news that you can listen to it in stereo in Egmont, Heroes, Countryside, Bra 3.
Disc 18
● Bruckner: Symphony No. 6 in A major, WAB 106 (Hearth version)
Concertgebouw Orchestra
Recording: June 22, 1961
● Klemperer: Symphony No. 1
Concertgebouw Orchestra
Recording: June 22, 1961
Amsterdam's Concertgebouw Recording in the hall. Bruckner No. 6 will be recorded three years before the EMI session recording, but the tempo distribution is very different. In total it is different from the session 54 minutes 55 seconds, the live 50 minutes 41 seconds is different from 4 minutes, but for the first movement the consultation bowboard is late by 10 seconds, treatment of rugged motives raging at the beginning and continuing The enormousness in the first subject, expressing while highlighting the numerous constitutional motives is quite like Klemperer's point, the quantity of information, the power to roughness is wonderful. On the other hand, the second movement is a time allocation that the live is two minutes faster, Skelzo also 49 seconds and the finale 1 minute 41 seconds faster, and it has become a style that is pretty sharp.
The symphony number 1 of my own work completed in 1960 is a compact work of 2 movements composed of 18 minutes. The late Romantic atmosphere is in keynote, and it feels a collage-like fun from Hindemith, Shostakovich, the part that makes Stravinsky-like modern elements reminiscent of "Otello" duet singing, to the eerie La Marseillaise Familiar music and attractive beauty of the tail. Since Klemperer did not perform session recording of this work, the existence of this recording which commanded the Concertgebouw Orchestra is precious. The sound quality is good while it is monaural.
26 Concertgebouw Orchestra Recording: February 21, 1957 Wagner: "Nürnberg's My Staginger" First Actor Concertgebouw Orchestra Recording: February 21, 1957 Recording in the Concertgebouw Great Hall. Partial sound quality is difficult. Klemperer's Schubert Symphony No. 4 is valuable because there is only VOX recording in 1950, so consulting Hebou recording is precious. Although the playing time is similar, in the performance with the Concertgebouw, the relief is bigger and the expression becomes more dense. By the way, the first movement is VOX 6 minutes 47 seconds and Concertge Hebou 9 minutes 10 seconds because the VOX does not perform the presentation part iteration, it is 7 minutes 2 seconds when calculating the consultation burou, it is similar feeling. The symphony of Stravinsky's 3 movement is 23 minutes 45 seconds in consultation of the 1962 EMI session recording 24 minutes 27 seconds. It is a powerful performance by the expressive expression of the first movement unique to the demonstration and the size of the timpani's sound. "Fingal's cave" is about 9 minutes 34 seconds faster than the 1960 EMI session recording 10 minutes 14 seconds, "My Stagingger" is 10 minutes 6 seconds and 51 seconds for the 1960 EMI session recording 10 minutes 57 seconds It is faster. Both are spacious and calming session recording, the difference is a hot live.
Disc20
● Bruckner: Symphony No. 5 in B flat major WAB105
Concertgebouw Orchestra
Recording: February 16, 1957
recording in Concertgebouw large hall of Amsterdam. Sound quality is difficult. Bruckner Symphony No. 5 of Klemperer is, while the EMI session recording of 1967 was 79 minutes and 27 seconds, 10-year difference this Concertgebouw recording is different is 67 minutes 37 seconds and also playing time about 12 minutes It is characterized. Unfortunately the sound is not clear, but the 4th movement coda etc. is amazing.
Disc 21
● Beethoven: Symphony No. 7 in A major, op.92
Concertgebou Orchestra
recording May 13, 1956
● Brahms: "Variations on the Theme of Haydn" op.56a
Concertgebou Orchestra
Recording: February 7, 1957
● R. Strauss: Symphonic poem "Funny prank of Till-Eylen Spiegel" op.28
Concertgebouw Orchestra
Recording: February 7, 1957 Recording in the
Concertgebouw Great Hall in Amsterdam. Partial sound quality is difficult. Beethoven No. 7 which is good at Klemperer. Recording with Concertgebouw is recorded the following year of EMI's first session recording, the performance time is 36 minutes 56 seconds for the session and 37 minutes 44 seconds for the show.
"Variations on the subject of Haydn" is 17 minutes 28 seconds late by 34 seconds compared to the 1954 EMI session recording 16 minutes 54 seconds.
"Til Eulenspiegel's happy prank" It is faster about 14 minutes and 13 seconds, about 48 seconds against the 1960 EMI session recording 15 minutes 1 second, and you can also feel the goodness of the demonstration.
Disc22
● Beethoven: Symphony No. 2 in D major op.36
Concertgebouw Orchestra
Recording: May 2, 1956
● Beethoven: "Leonore" Overture No. 3 op.72b
Concertgebouw Orchestra
Recording: May 2, 1956
● Beethoven: ballet "the creatures of Prometheus" op.43 ~ Overture, Adagio, the finale
Concertgebouw Orchestra
recording: May 2, 1956
recording in Concertgebouw large hall of Amsterdam. Partial sound quality is difficult. Beethoven Symphony No. 2 which is good at Klemperer. Recording of the Concertgebouw is, in the following year of the recording of the EMI of the session recording, for playing time session is 37 minutes 31 seconds, live has become as fast as 35 minutes and 59 seconds and a minute and a half.
"Leonore" overture number 3 is almost the same as 13 minutes 33 seconds against 1954 EMI session recording 13 minutes and 32 seconds.
"The Creatures of Prometheus" excerpt has also done session recorded by EMI in 1969 but has become fast as 20 minutes and 34 seconds and 3 minutes for 23 minutes and 35 seconds. Daring overture, let unique lyricism is heard in interesting Adagio, and "hero" good diversion has been melody seems to have demonstrated the impressive finale glue to the symphony performance.
Disc 23
● Beethoven: Symphony No. 4 Denomi major op. 60
Concertgebou Orchestra
Recording: May 9, 1956
● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
Concertgebouw Orchestra
Recording: 1956 5
Recording at the Concertgebouw Great Hall in Amsterdam on 9th / 9th . Partial sound quality is difficult. The recording with the Symphony No. 4 Concertgebouw is the recording of the previous year of the EMI session recording, the performance time is 35 minutes 40 seconds for the session, 34 minutes 42 seconds for the live performance, one and a half minutes faster.
The recording with the Concertgebouw of Symphony No. 5 "Fate" was recorded two years after the EMI's first session recording, the performance time is 35 minutes 2 seconds for the session, 35 minutes 46 seconds for the live performance, slightly later It is getting.
Disc 24
● Bach: Orchestra Suite 2nd Minor BWV.1067
Concertgebouw Orchestra
Recording: February 7, 1957
● Beethoven: Symphony No. 6 F major Op.68 "Country"
Concertgebouw Orchestra
Recording: 1956 5
The recording with the Concertgebouw No. 2 of the Moon Orchestra Suite 2 is recorded two years after EMI session recording, the performance time is 22 minutes 33 seconds for the session, 22 minutes and 54 seconds for the performance, 21 seconds later It is getting.
Recording with the Concertgebouw of Symphony No. 6 "Country" is the recording of the previous year of EMI session recording, the performance time is 45 minutes 58 seconds for the session and 44 minutes and 28 seconds for the live performance.
Disc 25
● Mozart: Symphonies No. 29 in A major, K201 / 186a
Concertgebouw Orchestra
Recording: July 12, 1956
● Beethoven: Symphony No. 7 in A major op.92
Concertgebouw Orchestra
recording: April 26, 1951 Concerto in
Amsterdam Recording at the Hebow Great Hall. Sound quality is difficult. Recording with the Symphony No. 29 Concertgebouw is a recording of EMI's session recording two years later, the performance time is about 24 minutes 43 seconds for the session, 24 minutes 08 seconds for the performance, about 35 seconds faster .
Beethoven No. 7 is 35 minutes 31 seconds and it is faster than 36 minutes 56 seconds of 1955 EMI session recording.
Disc 26
Beethoven: Symphony No. 9 in minor op. 125 "Chorus"
Glee Browenstein (soprano)
Annie Hermes (Alto)
Ernst Höfrger (tenor)
Hans Willblink (baritone)
Amsterdam Tonkunst Choir
Concerto Hebou Orchestra
Recording: May 17, 1956
Recording at the Concertgebouw Great Hall in Amsterdam. Although Klemperer's 9th has been left numerous, the Concertgebouw recording is a masterpiece known to maniacs with very well-balanced performance content and good monophonic sound quality. By the way, the EMI session recording in 1957 was 72 minutes 10 seconds, but the consultant bow has 67 minutes 21 seconds which is close to 5 minutes.
Disc27
● Beethoven: Symphony No. 8 in F major op.93
Concertgebouw Orchestra
Recording: May 17, 1956
● Janacek: "Sinfonietta"
Concertgebouw Orchestra
Recording: January 11, 1951
at the Concertgebouw the Great Hall of the Amsterdam Recording. Symphony No. 8 is the recording of the previous year of the EMI session recording, it is a good performance of the sound as fast as 1 minute, 26 minutes 51 seconds against session 27 minutes 51 seconds.
Sinfonietta of Janacek is is the work which Klemperer is not in session recording, Klemperer after the premiere shortly after time tells the fact that you want to play in a letter to Janacek, Germany premiere, the United States premiere, because it was carried out the Soviet premiere, to work It seems that attention was strong. Although live recording has been two bereaved, the sound of the state and the orchestra of the condition, but there is a drastic expressive of fun Cologne Radio Symphony recording listen Gotae, etc., know the change of the Concertgebouw recording also of Klemperer interpretation It is priceless for it.
Disc 28
● Hindemit: Suite "Noble illusion"
Concertgebouw Orchestra
Recording: July 7, 1955
● Schönberg: "Jidai" op.4
Concertgebou Orchestra
recording: July 7, 1955
● Faria: Symphonic impression " Spanish garden night "
Willem Andriessen (piano)
Concertgebouw Orchestra
recording: January 11, 1951 Recording in the
Concertgebouw Great Hall in Amsterdam. "Noble fantasy" is the recording of the following year of EMI session recording, which is slightly faster, 20 minutes 2 seconds compared to the session 20 minutes 35 seconds.
"Kiyuya" is a violent and rich performance famous among fans. Klemperer could not make a session recording of Schönberg who was familiar with Kenmpura, but in this case it expresses a wonderful feeling of young Schönberg here.
"Spanish garden night" is also the only recording. Although it is music like modern symphonic poetry played by solo piano solo, the command of Klemperer before the major injury is instantly physical tendency, and it can be said that it is heterogeneous and interesting in the performance of this work by the atmospheric approach subject.
Disc 29
● Bach: Orchestra Suite 2nd Minor BWV. 1067
Friends of Music
Recording: December 14, 1942
● Mendelssohn: Play accompaniment "Midsummer Night's Dream" op.61 (excerpt) (German singing )
Concertgebouw Orchestra
Recording: November 3, 1955
Gluck: Opera "Orfeo and Eurydice" ~ "Chaconne"
Concertgebouw Orchestra
Recording
Recording at the Concertgebouw Great Hall in Amsterdam on June 22, 1961 . Sound quality is difficult.
"Midsummer Night's Dream" (10 song composition) is a tempo of 43 minutes 9 seconds faster than the 1960 EMI session recording 47 minutes 53 seconds. Scherzo etc. It is quite different. It is surprising that the finale. The introduction section by Klemperer is played for about 49 seconds at the beginning. Since we did not do this introduction part playing using material such as "marriage marching" and overture and session recording, the freedom of Klemperer in demonstration is remembered. Incidentally, Klemperer had made a change to replace the tail at Mendelssohn "Scotland" in Bayern in the following year, but is that the original ancestor? Although this is "addition", though.
Gluck's "Chaconne" is the only recording of Klemperer. Prior to the war was a repertoire unique to Klemperer who was ambitiously working on Gulc opera performances.
Disc 30
● Mahler: Symphony No. 4 in G major,
Maria · Stodder (soprano)
Concertgebou Orchestra
Recording: November 10, 1955
● Mozart: Serenade No. 13 "Eine Kleine Nacht Musique"
Concertgebow Orchestra
Recording: 1955 November 10
Recording at the Concertgebouw Great Hall in Amsterdam. Mahler's Symphony No. 4 is 52 minutes shorter than the 54 minutes and 53 seconds of the EMI session recording, which is about two minutes faster, but the third movement is opposite 19 minutes 5 seconds and the session is 18 minutes 9 Seconds and about 1 minute late are noted.
"Aene Kleene Nacht Musique" is a tempo that is quicker, 16 minutes and 8 seconds, compared to the 4th month different 1956 EMI session recording 17 minutes and 48 seconds.
Disc 31
● Beethoven: Symphony No. 3 Hohho Major op.55 "Hero"
Concertgebouw Orchestra
Recording: July 7, 1955
● Mozart: Symphony No. 25 in G minor K.183
Concertgebouw Orchestra
Recording: January 1951 January 18th
Mozart: "Funerary Music for Freemasonry" K.477
Concertgebouw Orchestra
Recording: July 12, 1951 Recording in the
Concertgebouw Great Hall in Amsterdam. "Hero" of 1955 recording is much faster than 49 minutes 7 seconds, 52 minutes 27 seconds of EMI session recording after 5 months.
The Mozart Symphony No. 25 is surprised at a furious speed of 16 minutes 23 seconds against the 1956 EMI session recording 19 minutes 15 seconds. Especially the first movement is intense.
Mozart "Funerary Music for Freemasonry" is 4 minutes 59 seconds against the 1964 EMI session recording 5 minutes 26 seconds.
Disc32
● Beethoven: Symphony No. 6 in F major op.68 "Pastoral"
Concertgebouw Orchestra
Recording: July 7, 1955
● Beethoven: Symphony No. 8 in F major op.93
Concertgebouw Orchestra
Recording: 5 May 1949
Recording at the Concertgebouw Great Hall in Amsterdam one day . "Rural" is 42 minutes 58 seconds and it is faster than the 45 minutes 58 seconds of the 1957 EMI session recording.
Beethoven: Symphony No. 8 is now much faster than the 27 minutes 51 seconds of the 1957 EMI session recorded at 23 minutes 58 seconds. It is a very powerful performance.
Disc33
● Mahler: Symphony No. 2 in C minor, "Resurrection"
Kathleen Ferrier (contralto)
Joe Vincent (soprano)
Concertgebouw Orchestra & Chorus
Recording: July 12, 1951
recording in Concertgebouw large hall of Amsterdam . Total 71 minutes 26 seconds and the fastest performance in this work's CD. Away from the Budapest State Opera of the post, is Klemperer to finally return activities in Western Europe has been in full swing even yell enough. Including the singing of a ferrier is a great content.
Disc 34
● Mendelssohn: Overture "Fingal's Cave" op.26
Concertgebouw Orchestra
Recording: December 4, 1947
● Bruckner: Symphony No. 4 Everyday major WAB.104 "Romantic"
Concertgebouw Orchestra
Recording: 1947 12
Recording at the Concertgebouw Great Hall in Amsterdam on April 4 . "Fingal's Cave" was recorded in 1947 and the performance time was 8 minutes 42 seconds, which is significantly faster than the 1960 EMI session recording 10 minutes 13 seconds. At that time, Klemperer became the music director of the Budapest Opera National Opera, it was a serious injury in 1954 and before the burn in 1958, which is a quick tempo.
Total 53 minutes 51 seconds and 1951 VOX session recording is not about 51 minutes 20 seconds but quite fast playing. Haas version.
Disc 35
● Bruckner: Symphony No. 7 Mobiho Major WAB.107
BBC Symphony Orchestr
Recording: December 2, 1955
Disc36
● Beethoven: Symphony No. 9 in D minor op.125 "chorus"
Maria Stader (soprano)
Grace Hoffman (mezzo-soprano)
Waldemar-Kumento (tenor)
Hans Hotter (baritone)
Cologne Radio Choir
Cologne Radio Symphony Orchestra
Recording
Recording in Cologne on January 6, 1958 . Session recording with the Philharmonia, which was conducted just before, while same interpreted as a live recording, or from the orchestra and chorus difference, the point of people here are full of more solid strength. Two male voice soloists are in common with Philharmonia, and they are approaching with a divine powerfulness like Wotan, like Hotter's singing. The chorus part is still powerfully overcome, and the impression that the unique style of Klemperer, which emphasized the existence feeling more than the mystique, is more thorough.
Disc 37
● Bruckner: Symphony No. 8 H minor WAB.108[Novak version]
Cologne Broadcast Symphony Orchestr
Recording: Recording in Cologne on June 7, 1957
. Klemperer but had come out in outrage that the EMI session recording would cut a third subject of the reproduction section and the large part of the expanded portion of the fourth movement, he had been playing in the full-length here. Tempo was also quite late in session recording, but this is the first time in 71 minutes 53 seconds, which is quite fast.
Disc 38
● Mozart: Symphony No. 29 in A major, K201 / 186a
Cologne Gürzenich Symphony Orchestra
Recording: September 9, 1956
Mozart: Symphony No. 41 major K.551 "Jupiter"
Cologne Gürzenhi Orchestra
Recording: 1956 9 Monday, 9th
Mozart: Serenade No. 13 "Eine Kleine Nacht Musique"
Cologne Gürzenhi Orchestra
Recording: September 9, 1956
recording at the Montreux Music Festival. The Mozart Symphony No. 29 is recorded two years after EMI session recording, and the performance time is about 23 minutes 25 seconds and 1 minute 20 seconds faster than the session 24 minutes 43 seconds.
Symphony No. 41 "Jupiter" is a recording of two years after EMI's first session recording, and the performance time is 28 minutes 53 seconds for the session and 32 minutes 53 seconds for the performance time. For the live performers I repeat the first movement presenting department. "Aene Kleene Nacht Musique" is a tempo that is a sharp tempo of 17 minutes 5 seconds, compared to the semi-annual difference of 1956 EMI session recording 17 minutes 48 seconds.
Disc 39
● Beethoven: Symphony No. 4 Denomi major op. 60
Cologne Radio Symphony Orchestra
Recording: October 25, 1954 ● Yanagcec
: "Symphonietta"
Cologne Radio Symphony Orchestra
Recording: February 27, 1956
● R. Strauss: Symphony Poetry "Don · Fan" op.20
Cologne Radio Symphony Orchestrating
Recording: February 27, 1956
Two types of recordings of Yanagek "Sinfonietta" were left behind, the performance of 1951 with Concertgebouw was 23 minutes and 5 seconds, Cologne Although the total is similar to broadcasting sound in 23 minutes and 16 seconds in 1956, in the Cologne board, the second movement is 12 seconds late, the third movement is 23 seconds faster, the fifth movement is 18 seconds later, Tempo setting is quite different.
"Don Fan" was recorded four years ago in the EMI session recording, and the performance time is 16 minutes 9 seconds and 1 minute 4 seconds faster than the session time 17 minutes 13 seconds.
Disc 40
● Bach: Orchestra Suite 3rd Anniversary BWV. 1068
Cologne Radio Symphony Orchestra
Recording: October 17, 1955
● Brahms: Symphony No. 1 H minor op.68
Cologne Radio Symphony Orchestr
Recording: October 17, 1955
Brahms was sold (believed) to believe that Knappers Bush played, and among the fans was especially famous. It is an attraction that can not be answered by shaping the whole story as frightening. It is 41 minutes 44 seconds faster than EMI session recording 44 minutes 13 seconds.
The Bach Orchestra Suite 3 is 22 minutes 59 seconds, and the 1954 EMI session recording is close to 23 minutes 10 seconds.
Disc 41
● Beethoven: Symphony No. 3 Hohho Major op.55 "Hero"
Cologne Radio Symphony Orchestra
Recording: February 8, 1954
● Stravinsky: "Pulcinella" Suite Suite
Bayern Broadcast Symphony Orchestr
Recording: September 27, 1957
"Hero" is a much faster and more energetic finish of 47 minutes 12 seconds, whereas the famous EMI session recording performed in 1954 was 49 minutes 27 seconds.
Disc42
● Mahler: Symphony No. 4 in G major
Erufuride-Toretcheru (soprano)
Cologne Radio Symphony Orchestra
recording: February 21, 1954
● Hindemith: Suite "noble illusion"
Cologne Radio Symphony Orchestra
Recording: February 8, 1954
Total time 49 minutes 9 seconds, I made the fastest among all of Mahler No. 4 of the disk, because the shortness of time is mainly due to the time that the third movement of 16 minutes and 52 seconds, in addition to the movement It is not that extremely fast. However, compared with the EMI board of studio recording, the impression will differ greatly again because it is different by 5 minutes in total. One feature of this performance is, and that the tempo setting, full of image driving force as it is of the work is being carried out by a number of phrases that flurry, will be the fact that the fascinating scene is continuously formed . There is no atmosphere, such as look carefully the scenery to stop the foot as EMI board is here, but the swagger in a comfortable tempo, there is a flavor such as actively enjoy each of the scenery. The soprano's Tretschel is also a sophisticated song with bright and carefree singing.
In the "noble illusion" the recording of the previous eight months of the EMI session recording, to the session 20 minutes 35 seconds, has become in 20 minutes 14 seconds and close numbers.
Disc43
● Beethoven: Symphony No. 1 in C major, op.21
Cologne Radio Symphony Orchestra
recording: February 21, 1954
● Beethoven: Symphony No. 8 in C major, op.21
Cologne Radio Symphony Orchestra
Recording: May 28, 1955
● Beethoven: "Egmont" Overture op. 84
Cologne Radio Symphony Orchestra
Recording: May 28, 1955
● Mozart: Serenade No. 6 innovation KV.239 "Serenata / Notturna"
Cologne Radio Symphony Orchestrating
Recording: October 25, 1954
Disc 44
● Bruckner: Symphony No. 4 Hohho major, WAB.104 "Romantic"
Cologne Radio Symphony Orchestra
Recording: April 5, 1954
● R. Strauss: Symphonic poem "Funny Prank of Till Eileen Spiegel" op.28
Cologne Broadchen Symphony Orchestra
Recording: October 25, 1954
Bruckner was a famous performer from several labels in the past, even when compared with the recording with Philharmonia tube later, the tempo is shorter by 4 / 1.5 minutes overall It is getting. Novak version.
Disc45
● Mozart: Symphony No. 29 in A major K201 / 186a
Cologne Radio Symphony Orchestra
Recording: February 8, 1954
Mendelssohn ●: play incidental music "A Midsummer Night's Dream" op.61 (German singing)
Kate Mailer = Gee Perman (soprano)
Hannah Ludwig (mezzo-soprano)
Cologne Radio Choir
Cologne Radio Symphony Orchestra
recording: June 9-11, 1955
performance than those with superior characteristics of both of the mid-50's Klemperer unique, in particular, Mendelssohn has good footwork with a modest weight of this period unique, attractive finish to match the content of the work.
Disc46
● Gluck: Opera "Iphigenia in Aulis" Overture
Cologne Radio Symphony Orchestra
Recording: February 27, 1956
Mozart ●: Symphony No. No. 29 in A major K201 / 186a
Bavarian Radio Symphony Orchestra
Recording: 1956 April 12,
Haydn ●: Symphony No. 101 in D major "clock"
the Bavarian Radio Symphony Orchestra
recording: October 19, 1956
"Iphigenia in Aulis" Overture to the EMI session recording is 11 minutes and 39 seconds, minutes and 11, making it as fast as 39 seconds.
Disc 47
· Bruckner: Symphony No. 7 Ho major, WAB.107
Bayern Broadcast Symphony Orchestrating
Recording: April 12, 1956
Total Time is a 65-minute period of Philharmonia in 1960, a Bayern board of 58 minutes and a fast tempo throughout the entire movement While setting, rich facial expressions are incorporated up to the details, and the performance style with a high tension is unique in this period Klemperer. Novak version.
Disc 48
● Mahler: Symphony No. 4 in D major
Elisabeth Lindermeier (soprano)
Bayern Broadcast Symphony Orchestrating
Recording: October 19,
1966 An injury caused by a Tarap fall accident was healed, and the performance of Klemperer's energy was outstanding. Impression that tempo setting full of propulsive force is carried out intact image of the work, and fascinating scenes are formed continuously by many phrases which fly. There is no atmosphere like stopping your feet like the EMI board and looking at the scenery thoroughly, but there is a feeling that you will sweep with a comfortable tempo and actively enjoy each scenery. The soprano Lindermeyer who is also the conductor conductor Mrs. Kempe also has a beautiful singing voice.
Disc 49
● Bach: Orchestra Suite 3rd Minor BWV. 1068
Switzerland Romand Orchestra
Recording: March 6, 1957
● Beethoven: Symphony No. 7 in A major, op.92
Swiss Romand Orchestra
Recording: March 6, 1957 Day
Disc50
● Beethoven: Symphony No. 3 in E flat major op.55 "hero"
Berlin Radio Symphony Orchestra
recording: March 29, 1958
● Beethoven: "Egmont" Overture op.84
Berlin Radio Symphony Orchestra
Recording: 1958 March 29 Day
Disc51
● Beethoven: Symphony No. 2 in D major op.36
Berlin Radio Symphony Orchestra
recording: March 29, 1958
● R. Strauss: "Till Eulenspiegel's Merry Pranks" Symphonic Poem op.28
Berlin Radio Symphony Orchestra
recording : January 21, 1957
● Hindemit: Suite "Noble illusion"
Swiss · Romando Orchestra
recorded: March 6, 1957
Disc 52
● Brahms: Symphony No. 2 major number major major op.73
Berlin Radio Symphony Orchestrating
Recording: January 21, 1957
● Mozart: Symphony No. 40 in G minor KV.550
Berlin Radio Symphony Orchestra
recording: January 21, 1957
● Mozart : "Don Giovanni" Overture
Residentate Orchestra
Recording: June 26, 1954
Disc 53
• Mozart: Serenade No. 6 innovation KV.239 "Serenata Notoruna"
RIAS Symphony Orchestra
Recording: December 21, 22, 1950 19th
Mozart: Symphony No. 25 in G minor KV.183
RIAS Symphony Orchestr
Recording: 1950 12 Monday 20
● Mozart: Symphony No. 29 in A major, KV. 201
RIAS Symphony Orchestr
Recording: December 20, 1950
Disc 54
• Mozart: Symphony No. 38 in D major, K.504 "Prague"
RIAS Symphony Orchestra in Berlin
Recordings: December 22, 23 December 1950
● Mozart: Serenade No. 11 Ehoshiho Major K.375
Berlin RIAS Symphony Orchestr
Recording: 1950 December
● Hindemit: Suite "Noble illusion"
Berlin RIAS Symphony Orchestr
Recording: February 15, 1954
Disc 55
● Haydn: Symphony No. 101 in major, "Watch"
Berlin RIAS Symphony Orchestr
Recording: February 12, 1956
● Beethoven: Symphony No. 6 in F major op.68 "Country"
Berlin RIAS Symphony Orchestr
Recording: February 1954 On 15th,
Haydn has a remarkably different approach from the relatively normal playing on the studio board, which is distinguished by the vigorous sharpness of sharpness, the shade of shade, and the strong bat philosophy.
Disc 56
• Mahler: Symphony No. 4 in G major
, Erfurde de Trechel (soprano)
Berlin RIAS Symphony Orchestr
Recording: February 12, 1956
● R. Strauss: Symphonic poem "Til Eileen Spiegel's delightful prank" op.28
Turin RAI Symphony Group
recording: December 21, 1956
Disc 57
● Haydn: Symphony 101nd major, "Watch"
Turin RAI Symphony Orchestra
Recording: December 21, 1956
● Shostakovich: Symphony No. 9 Eho Major op.70
Turin RAI Symphony Orchestr
Recording: December 21, 1956
Disc 58
● Beethoven: Symphony No. 7 in A major, op.92
Berlin RIAS Symphony Orchestrating
Recording: October 1, 1954
● Stravinsky: "Pulcinella" suite
Turin RAI Symphony Orchestr
Recording: December 21, 1956
Disc 59
● Wagner: "Mystinginger of Nuremberg" First Actor Prelude
Turin RAI Symphony Orchestra
Recording: December 17, 1956
● Schubert: Symphony No. 7 (8) minor D minor D. 759 "Incomplete"
Turin RAI Symphony Orchestra
Recordings: December 17, 1956
● Beethoven: Symphony No. 1 in C major op.21
Turin RAI Symphony Orchestrating
Recording: December 17, 1956 Clenpeller
guests in the orchestras around the world after the war, visiting Italy many times Although some live recordings are also left, there were also difficulties that many recordings and orchestra's conditions are not good. Inside in 1956 the recording was blessed with conditions, "My Stagingger" is vividly depicting each part.
Disc 60
● Bruckner: Symphony No. 7 ho major, WAB.107
Berlin · Philharmonic Orchestra
Recording: September 3,
1958 Live recording at the Lucerne Music Festival on September 3, 1958. It is characterized by Kurenperer's "tight cigarette whole body burns heavy case" just before the occurrence of a heavy body burning event, a high tension atmosphere reflecting the healthy state of health and the heavy sound of the Berlin Phil, but two years have passed since the Bayern board It seems that it may be said that it is suitable for the work that it is a somewhat calm performance other than Adagio.
Disc 61
● Bruckner: Symphony No. 7 ho major, WAB. 107
Vienna Symphony Orchestr
Recording: February 26, 1958
Disc62
● Mahler: Symphony No. 4 in G major
Teresa Stich = Randall (soprano)
Vienna Symphony Orchestra
recording: June 21, 1955
● Purcell: Suite "The Fairy Queen"
Vienna Philharmonic Orchestra
Recording: August 24, 1947
Disc 63
● Mozart: Symphony No. 29 in A major, K201 / 186a
North German Radio Symphony Orchestrating
Recording: September 28, 1955
● Beethoven: Symphony No. 7 in A major op.92
North German Radio Symphony Orchestrating
Recording: September 28, 1955
Beethoven is No. 7 in the good song, here approach in is similar to the EMI the former board (1955), it does not have carried out is such as the first movement Introduction part octave up, such as the 1960 board.
In number 29 also Klemperer good songs of Mozart, did shows the aesthetics also wonderful, such as the 1963 live, dominant more life force is strong vivacious image in this performance. Would cause even healthy thing of horn, but feel the propulsive force than dignity, is likely to be thought of as a worthy but rather the work of the young Mozart.
Disc 64
● Mozart: Symphony No. 39 Hookei major, K.543
Hungarian Radio Symphony Orchestrating
Recording: April 17, 1949
● Bach: Orchestra Suite 4th Birthday BWV. 1069
Hungarian Radio Symphony Orchestr
Recording: January 1949 Day
● Bach: Orchester Suite 2nd Minor BWV. 1067
Hungarian Radio Symphony Orchestr
Recording: June 24, 1949
Disc 65
● Mahler: "Song of the Earth"
Yudit Shaun Dol (soprano)
Endre · Wrestler (tenor)
Budapest Symphony Orchestra
Recording: November 2, 1948
● Bach: Brandenburg Concerto No. 5 major D major BWV.1050
Hungarian Radio Symphony Orchestra
Recording: January 13, 1950
● Mozart: "Funerary Music for Freemasonry"
Hungarian Radio Symphony Orchestra
Recording: November 2, 1948
Klemperer's first important work returned to Europe after the Second World War , A director of music at the Hungarian State Opera, performing performances noteworthy such as Wagner and Mozart. The characteristic of the performance at this time is that the tempo is fast anyway. Again here is a total of 50 minutes and 40 seconds, which is faster than the VOX recording three years later known fast, has become a performance time faster than two minutes, is the fastest performance in the history of "Earth earth" history. Although it differs from the later EMI board by 13 minutes in fact, the basic interpretation has not changed, a rough sense because of the momentum, a powerful singing by two Hungarian singers is the original Klemperer's " Earth singing "that is also the taste of bleaking · fighting further emphasizing the aspect of painfulness. Although it is a live recording of 1948, the sound quality is not clear, but for Klemperer · fans I think that it can be said that it is a precious recording as a material.
Disc66
● Mahler: Symphony No. 2 in C minor "Resurrection"
Galina · Vishnevskaya (soprano)
Hildegard · Wrestle = Maidan (Alto)
Vienna Raku Association Choir
Vienna Philharmonic Orchestra
Recording: June 13, 1963
Disc 67
Mahler: Symphony No. 2 in C minor "Resurrection"
Varda Bagnol (soprano)
Florence · Taylor (Alto)
Haarstone Chorus Association
Sydney Symphony Orchestr
Recording: September 1950 The
fastest in everyday history. Broadcast recording of a concert with great success in directing the Sydney Symphony Orchestra. After the performance, it is a legendary performance that clapping like thunder gushed after silence, but because of the old live sound quality people are still at the same level at that time. Besides, the lyrics are in English version, but even though there are very few missing, the interpretation of Klemperer itself is really wonderful with power. Its fearless form, tension and euphoria are wonderful, and the atmosphere is very similar to the famous concert bohemian of the following year.
Disc68
● Schubert: Symphony No. 7 (8) minor D minor, D. 759 "Incomplete"
Budapest Philharmonic Orchestra
Recording: June 18, 1948
Brahms: Symphony No. 1 in C minor op.68
France National Orchestra of the Orchestra
Recording: September 17, 1954
Disc69
● Beethoven: "Leonore" Overture No. 3 op.72b
Los Angeles Philharmonic Orchestra
Recording: 1945 December 16,
Bach ●: Orchestral Suite No. 3 in D major BWV.1068 ~ "Aria"
Los Angeles Philharmonic Orchestra
recording : December 16, 1945
● R. Strauss: Symphonic poem "Don Juan" op.20
Los Angeles Philharmonic Orchestra
recording: 1945 December 16
● Brahms (Schoenberg ed.): No. 1 op piano Quintet .25
Los Angeles Philharmonic Orchestra
Recording: May 7, 1938
Disc 70
● Berlioz: Opera "Benvenuto Cellini" Overture op.23
Los Angeles Philharmonic Orchestra
Recording: January 1, 1938
● Mozart: Symphony No. 35 in D major, K.385 "Hafner"
Los Angeles Philharmonic Orchestra
Recording: 1938 January 1st of the year
● Debussy: "Prelude to the afternoon of the fauna"
Los Angeles Philharmonic Orchestra
recording: January 1, 1938
● R. Strauss: Symphonic poem "Tyr Eulen Spiegel's delightful prank" op.28
Los Angeles Philharmonic Orchestra
Recording: January 1, 1938
● Handel (Schönberg): Concerto Grosso op.6 - 7
Los Angeles Philharmonic Orchestra
Recording: January 6, 1938
Disc71
● Verdi: Opera "Sicily evening of prayer" Overture
Los Angeles Philharmonic Orchestra
Recording: January 1, 1935
● Beethoven: Symphony No. 5 in C minor, op.67 "fate"
Los Angeles Philharmonic Orchestra
Recording: 1935 January 1, year
● Wagner: "Die Meistersinger von Nürnberg" act 1 prelude
Los Angeles Philharmonic Orchestra
recording: January 1, 1935
Wagner ●: "Rienzi" Overture
Los Angeles Philharmonic Orchestra
recording: June 1937 6 days
● Gershwin: prelude No. 2
Los Angeles Philharmonic Orchestra
recording: September 8, 1937
● Albeniz (Arubosu ed.): Suite "Iberia" - "Turiana"
Los Angeles Philharmonic Orchestra
recording: June 1937 6 Day
Disc72
● J. Strauss: "Die Fledermaus" Overture
Los Angeles Philharmonic Orchestra
Recording: February 11, 1945
Tomah ●: opera "Mignon" Overture
Los Angeles Philharmonic Orchestra
Recording: February 11, 1945
Bach ●: "you purchase decisions are in the buckwheat "BWV.508
Los Angeles Philharmonic Orchestra
recording: February 11, 1945
● Bruckner: Symphony No. 9 in D minor WAB.109
New York Philharmonic Symphony Orchestra
recording: October 14, 1934
Bruckner, Klemperer was exiled to the United States, performance that led the New York Philharmonic in the Toscanini era. It is about 10 minutes faster than the latest EMI board.
● Mozart: Symphony No. 29 in A major K201 / 186a
Philharmonia Orchestra
Recording: 1963 December 19,
● Beethoven: Symphony No. 8 in F major op.93
Philharmonia Orchestra
Recording: October 14, 1963
● Mahler : Symphony No. 2 in C minor, "resurrection"
Philharmonia Orchestra
recording: 1963 December 19,
recording at the Royal Festival Hall in London. Mozart and Mahler are stereo, famous for FM broadcasting and others. In the second half of 1963, Klemperer is like that there were many of the the comfort command, but such trend was noticeable even in such as the same period of the session recording, where the feeling is such a feature also in the goodness of demonstration unique flow It has become a splendid finish. Mozart's 29th is 25 minutes, Mahler is 80 minutes, Beethoven is 26 minutes playing time.
Disc3
● Beethoven: Symphony No. 1 in C major, op.21
Philharmonia Orchestra
Recording: 1963 December 2
● Beethoven: Symphony No. 5 in C minor, op.67 "fate"
Philharmonia Orchestra
Recording: 1960 May 31, 2008
Symphony No. 1 in the recording at the Royal Festival Hall in London, playing time is about 27 minutes. Symphony No. 5 "Destiny" is a recording at Musik Feller Insard at the time of visiting Vienna. The performance time is about 35 minutes. Klemperer physical condition also seemed top form, had led to the continuous concert of Beethoven to great success.
Disc4
● Beethoven: Symphony No. 9 in D minor op.125 "chorus"
Agnes Giebel (soprano)
Christa Ludwig (mezzo-soprano),
Richard Lewis (tenor)
Walter Berry (baritone)
Philharmonia Orchestra & Chorus
Recording: 1961 On November 27,
at the Royal Festival Hall in London, the recording time is about 68 minutes. Always has been set the tempo of the faster than, great success was achieved the same "Fidelio", it is possible to enjoy a rare performance that rich is also huge driving force while feel the natural breathing in March of the same year is. In addition, four soloists, all of Mahler also is the place is interesting is a singer and repertoire. Even so interesting is, the ninth of the tenor of existing Klemperer is, during the seven types, terms of up to six types is due to the singer, who is known by the name唱of "Song of the Earth".
Disc5
● Beethoven: Symphony No. 8 in F major op.93
Philharmonia Orchestra
Recording: 1960 June 4
● Beethoven: Symphony No. 6 in F major op.68 "Pastoral"
Philharmonia Orchestra
Recording: 1960 June 2,
Disc6
● Beethoven: Symphony No. 3 in E flat major op.55 "hero"
Philharmonia Orchestra
Recording: 1960 May 29,
● Beethoven: "Egmont" Overture op.84
Philharmonia Orchestra
Recording: 1960 May 31, 2008
● Beethoven: "Coriolan" Overture op.62
Philharmonia Orchestra
Recording: June 4, 1960
Disc 7
● Beethoven: Symphony No. 2nd major, op.36
Philharmonia Orchestra
Recording: May 29, 1960
● Beethoven: Symphony No. 4 Bloom major Op. 60
Philharmonia Orchestra
Recording: May 31, 1960
Disc 8
● Beethoven: Symphony No. 1 in C major Op.21
Philharmonic Orchestra
recording: June 7, 1960
● Beethoven: Symphony No. 7 in A major, op.92
Philharmonia Orchestra
recording: June 2, 1960
● Beethoven: Prometheus 'Creation' Overture op.43
Philharmonia Orchestra
Recording: June 2, 1960
Disc9
● Beethoven: Symphony No. 9 in D minor op.125 "chorus"
Vilma lip (soprano)
Ursula, Bose (alto)
Fritz Wunderlich (tenor)
Franz class (bus)
Musikverein Choir
Philharmonia Orchestra
recording : June 7, 1960
Recording at Musik Feller In Saar. Because of the Vienna Art Week appearances, Klemperer visited Vienna led the Philharmonia Orchestra physical condition also seemed top form, has led to the continuous concert of Beethoven to great success. On May 29th of the first day, he played "Heroes" who are good at it and No. 2 and others. On this day the same Musikverein Large Hall, the day during the day should be commemorated that 4 Mahler as "unfinished" has been played by Bruno Walter conducting the Vienna Philharmonic, the concert of emotional rich Walter against, the concert of Klemperer did contrast ones, such as "hero" to approach in such a scale and strength towering. The success of Beethoven Tsuikurusu at this time of Klemperer, as suggesting also a famous rehearsal video of "Egmont" Overture, said to have been brought to the ends of the rigorous practice, thoroughly also with fine sound form for important elements The basic attitude of emphasizing the form that accurately reproduces it is well appeared. For this reason, also entered the demonstration to increase the degree of freedom, form rather than to cause the collapse, even while absorbing the momentum of the sound of the demonstration unique, not rare Beethoven image showing perfectly robust and wealth of information is built I will.
Disc10
● Beethoven: "dedication" Overture op.124
Philharmonia Orchestra
Recording: August 24, 1958
● Beethoven: Symphony No. 5 in C minor, op.67 "fate"
Philharmonia Orchestra
Recording: August 24, 1958
● Haydn: Symphony 101nd major, "Watch"
Philharmonia Orchestra
Recording: August 24, 1958 Recording
at Usher Hall , Edinburgh. "Fate" in Scotland's Edinburgh Music Festival is a quick time of about 33 minutes with iteration of both ends movement.
"Dedication formula" over 11 minutes,
Haydn "watch" is a playing time of 27 minutes, an atmosphere with a high tension that makes Klemperer understand that the performance just before the "sleeping cigarette whole body large burns heavy incidents" happens is attractive.
Disc11
● Beethoven: "dedication" Overture op.124
Philharmonia Orchestra
Recording: 1960 May 29,
● Beethoven: "Egmont" Overture op.84
Philharmonia Orchestra
Recording: 1957 November 3
● Beethoven: Symphony No. 6 turn in F major op.68 "pastoral"
Philharmonia Orchestra
recording: October 7, 1958
"dedication" Overture time playing in the recording at the Musikverein Saar is 11 minutes.
"Egmont" overture is a recording at the Royal Festival Hall in London, and the playing time is 9 minutes 17 seconds.
"Rural" is a comfortable tempo of 42 minutes with the first and third movement iterations with recording at Usher Hall in Edinburgh. The atmosphere with a high tension that leads to "fate" of Disc 10 is attractive.
Disc12
● Beethoven: Symphony No. 2 in D major op.36
Philharmonia Orchestra
Recording: October 24, 1957
● Beethoven: Symphony No. 4 in B flat major op.60
Philharmonia Orchestra
Recording: 1957 November 8
in London Recording at the Royal Festival Hall. The second number is recorded about 3 weeks after the EMI session recording, but the performance time is the tempo of the session is 37 minutes 31 seconds, the live time is 34 minutes 21 seconds fast.
No. 4 is about 2 weeks after recording, the performance time is 35 minutes 40 seconds for the session, 34 minutes 17 seconds for the performance is a slightly faster tempo.
Disc 13
● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
Philharmonia Orchestra
Recording: October 24, 1957
● Beethoven: Symphony No. 7 in A major, op.92
Philharmonia Orchestra
recording November 3, 1957
London Recording at the Royal Festival Hall. The fifth is the recording of the first session recording of EMI two years later, but the performance time is the tempo where the session is 35 minutes 2 seconds, the live is 34 minutes 9 seconds somewhat faster.
The seventh number is recorded two years after EMI's first session recording, but the performance time is about 36 minutes 56 seconds for the session and 37 minutes 4 seconds for the live performance.
Disc 14
● Beethoven: "Egmont" Overture op. 84
Philadelphia Orchestra
Recording: October 27, 1962
● Beethoven: Symphony No. 3 Ehoshiho Major op.55 "Hero"
Philadelphia Orchestra
Recording: October 1962 Day
Disc 15
● Bach: Brandenburg Concerto No. 1 in F major, BWV. 1046
Philadelphia Orchestra
Recording: November 3, 1962
● Beethoven: Symphony No. 6 in F major Op.68 "Country"
Philadelphia Orchestra
Recording: 1962 10 Monday the 20th
Disc 16
● Mozart: Symphony No. 41 in C major, K.551 "Jupiter"
Philadelphia Orchestra
Recording: November 3, 1962
● Brahms: Symphony No. 3 in F major Op. 90
Philadelphia Orchestra
Recording: October 1962 27th
Disc17
● Schumann: Symphony No. 4 in D minor op.120
Philadelphia Orchestra
Recording: October 27, 1962
● Beethoven: Symphony No. 7 in A major op.92
Philadelphia Orchestra
Recording: 1962 November 3,
Klemperer is Live recording when guests are guest at the Philadelphia Orchestra of the Ormandy era. There is a problem in sound quality, but it is a precious record. It is Philadelphia Orchestra which was also the stronghold of "Modern Arrangement" following Sukhovsky, Omandy, but at this time Clenpeller stayed there for about two weeks or so, as the orchestra is quite unusual "Orthodox arrangement (Violin winged type) ", and it is good news that you can listen to it in stereo in Egmont, Heroes, Countryside, Bra 3.
Disc 18
● Bruckner: Symphony No. 6 in A major, WAB 106 (Hearth version)
Concertgebouw Orchestra
Recording: June 22, 1961
● Klemperer: Symphony No. 1
Concertgebouw Orchestra
Recording: June 22, 1961
Amsterdam's Concertgebouw Recording in the hall. Bruckner No. 6 will be recorded three years before the EMI session recording, but the tempo distribution is very different. In total it is different from the session 54 minutes 55 seconds, the live 50 minutes 41 seconds is different from 4 minutes, but for the first movement the consultation bowboard is late by 10 seconds, treatment of rugged motives raging at the beginning and continuing The enormousness in the first subject, expressing while highlighting the numerous constitutional motives is quite like Klemperer's point, the quantity of information, the power to roughness is wonderful. On the other hand, the second movement is a time allocation that the live is two minutes faster, Skelzo also 49 seconds and the finale 1 minute 41 seconds faster, and it has become a style that is pretty sharp.
The symphony number 1 of my own work completed in 1960 is a compact work of 2 movements composed of 18 minutes. The late Romantic atmosphere is in keynote, and it feels a collage-like fun from Hindemith, Shostakovich, the part that makes Stravinsky-like modern elements reminiscent of "Otello" duet singing, to the eerie La Marseillaise Familiar music and attractive beauty of the tail. Since Klemperer did not perform session recording of this work, the existence of this recording which commanded the Concertgebouw Orchestra is precious. The sound quality is good while it is monaural.
26 Concertgebouw Orchestra Recording: February 21, 1957 Wagner: "Nürnberg's My Staginger" First Actor Concertgebouw Orchestra Recording: February 21, 1957 Recording in the Concertgebouw Great Hall. Partial sound quality is difficult. Klemperer's Schubert Symphony No. 4 is valuable because there is only VOX recording in 1950, so consulting Hebou recording is precious. Although the playing time is similar, in the performance with the Concertgebouw, the relief is bigger and the expression becomes more dense. By the way, the first movement is VOX 6 minutes 47 seconds and Concertge Hebou 9 minutes 10 seconds because the VOX does not perform the presentation part iteration, it is 7 minutes 2 seconds when calculating the consultation burou, it is similar feeling. The symphony of Stravinsky's 3 movement is 23 minutes 45 seconds in consultation of the 1962 EMI session recording 24 minutes 27 seconds. It is a powerful performance by the expressive expression of the first movement unique to the demonstration and the size of the timpani's sound. "Fingal's cave" is about 9 minutes 34 seconds faster than the 1960 EMI session recording 10 minutes 14 seconds, "My Stagingger" is 10 minutes 6 seconds and 51 seconds for the 1960 EMI session recording 10 minutes 57 seconds It is faster. Both are spacious and calming session recording, the difference is a hot live.
Disc20
● Bruckner: Symphony No. 5 in B flat major WAB105
Concertgebouw Orchestra
Recording: February 16, 1957
recording in Concertgebouw large hall of Amsterdam. Sound quality is difficult. Bruckner Symphony No. 5 of Klemperer is, while the EMI session recording of 1967 was 79 minutes and 27 seconds, 10-year difference this Concertgebouw recording is different is 67 minutes 37 seconds and also playing time about 12 minutes It is characterized. Unfortunately the sound is not clear, but the 4th movement coda etc. is amazing.
Disc 21
● Beethoven: Symphony No. 7 in A major, op.92
Concertgebou Orchestra
recording May 13, 1956
● Brahms: "Variations on the Theme of Haydn" op.56a
Concertgebou Orchestra
Recording: February 7, 1957
● R. Strauss: Symphonic poem "Funny prank of Till-Eylen Spiegel" op.28
Concertgebouw Orchestra
Recording: February 7, 1957 Recording in the
Concertgebouw Great Hall in Amsterdam. Partial sound quality is difficult. Beethoven No. 7 which is good at Klemperer. Recording with Concertgebouw is recorded the following year of EMI's first session recording, the performance time is 36 minutes 56 seconds for the session and 37 minutes 44 seconds for the show.
"Variations on the subject of Haydn" is 17 minutes 28 seconds late by 34 seconds compared to the 1954 EMI session recording 16 minutes 54 seconds.
"Til Eulenspiegel's happy prank" It is faster about 14 minutes and 13 seconds, about 48 seconds against the 1960 EMI session recording 15 minutes 1 second, and you can also feel the goodness of the demonstration.
Disc22
● Beethoven: Symphony No. 2 in D major op.36
Concertgebouw Orchestra
Recording: May 2, 1956
● Beethoven: "Leonore" Overture No. 3 op.72b
Concertgebouw Orchestra
Recording: May 2, 1956
● Beethoven: ballet "the creatures of Prometheus" op.43 ~ Overture, Adagio, the finale
Concertgebouw Orchestra
recording: May 2, 1956
recording in Concertgebouw large hall of Amsterdam. Partial sound quality is difficult. Beethoven Symphony No. 2 which is good at Klemperer. Recording of the Concertgebouw is, in the following year of the recording of the EMI of the session recording, for playing time session is 37 minutes 31 seconds, live has become as fast as 35 minutes and 59 seconds and a minute and a half.
"Leonore" overture number 3 is almost the same as 13 minutes 33 seconds against 1954 EMI session recording 13 minutes and 32 seconds.
"The Creatures of Prometheus" excerpt has also done session recorded by EMI in 1969 but has become fast as 20 minutes and 34 seconds and 3 minutes for 23 minutes and 35 seconds. Daring overture, let unique lyricism is heard in interesting Adagio, and "hero" good diversion has been melody seems to have demonstrated the impressive finale glue to the symphony performance.
Disc 23
● Beethoven: Symphony No. 4 Denomi major op. 60
Concertgebou Orchestra
Recording: May 9, 1956
● Beethoven: Symphony No. 5 in C minor op. 67 "Fate"
Concertgebouw Orchestra
Recording: 1956 5
Recording at the Concertgebouw Great Hall in Amsterdam on 9th / 9th . Partial sound quality is difficult. The recording with the Symphony No. 4 Concertgebouw is the recording of the previous year of the EMI session recording, the performance time is 35 minutes 40 seconds for the session, 34 minutes 42 seconds for the live performance, one and a half minutes faster.
The recording with the Concertgebouw of Symphony No. 5 "Fate" was recorded two years after the EMI's first session recording, the performance time is 35 minutes 2 seconds for the session, 35 minutes 46 seconds for the live performance, slightly later It is getting.
Disc 24
● Bach: Orchestra Suite 2nd Minor BWV.1067
Concertgebouw Orchestra
Recording: February 7, 1957
● Beethoven: Symphony No. 6 F major Op.68 "Country"
Concertgebouw Orchestra
Recording: 1956 5
The recording with the Concertgebouw No. 2 of the Moon Orchestra Suite 2 is recorded two years after EMI session recording, the performance time is 22 minutes 33 seconds for the session, 22 minutes and 54 seconds for the performance, 21 seconds later It is getting.
Recording with the Concertgebouw of Symphony No. 6 "Country" is the recording of the previous year of EMI session recording, the performance time is 45 minutes 58 seconds for the session and 44 minutes and 28 seconds for the live performance.
Disc 25
● Mozart: Symphonies No. 29 in A major, K201 / 186a
Concertgebouw Orchestra
Recording: July 12, 1956
● Beethoven: Symphony No. 7 in A major op.92
Concertgebouw Orchestra
recording: April 26, 1951 Concerto in
Amsterdam Recording at the Hebow Great Hall. Sound quality is difficult. Recording with the Symphony No. 29 Concertgebouw is a recording of EMI's session recording two years later, the performance time is about 24 minutes 43 seconds for the session, 24 minutes 08 seconds for the performance, about 35 seconds faster .
Beethoven No. 7 is 35 minutes 31 seconds and it is faster than 36 minutes 56 seconds of 1955 EMI session recording.
Disc 26
Beethoven: Symphony No. 9 in minor op. 125 "Chorus"
Glee Browenstein (soprano)
Annie Hermes (Alto)
Ernst Höfrger (tenor)
Hans Willblink (baritone)
Amsterdam Tonkunst Choir
Concerto Hebou Orchestra
Recording: May 17, 1956
Recording at the Concertgebouw Great Hall in Amsterdam. Although Klemperer's 9th has been left numerous, the Concertgebouw recording is a masterpiece known to maniacs with very well-balanced performance content and good monophonic sound quality. By the way, the EMI session recording in 1957 was 72 minutes 10 seconds, but the consultant bow has 67 minutes 21 seconds which is close to 5 minutes.
Disc27
● Beethoven: Symphony No. 8 in F major op.93
Concertgebouw Orchestra
Recording: May 17, 1956
● Janacek: "Sinfonietta"
Concertgebouw Orchestra
Recording: January 11, 1951
at the Concertgebouw the Great Hall of the Amsterdam Recording. Symphony No. 8 is the recording of the previous year of the EMI session recording, it is a good performance of the sound as fast as 1 minute, 26 minutes 51 seconds against session 27 minutes 51 seconds.
Sinfonietta of Janacek is is the work which Klemperer is not in session recording, Klemperer after the premiere shortly after time tells the fact that you want to play in a letter to Janacek, Germany premiere, the United States premiere, because it was carried out the Soviet premiere, to work It seems that attention was strong. Although live recording has been two bereaved, the sound of the state and the orchestra of the condition, but there is a drastic expressive of fun Cologne Radio Symphony recording listen Gotae, etc., know the change of the Concertgebouw recording also of Klemperer interpretation It is priceless for it.
Disc 28
● Hindemit: Suite "Noble illusion"
Concertgebouw Orchestra
Recording: July 7, 1955
● Schönberg: "Jidai" op.4
Concertgebou Orchestra
recording: July 7, 1955
● Faria: Symphonic impression " Spanish garden night "
Willem Andriessen (piano)
Concertgebouw Orchestra
recording: January 11, 1951 Recording in the
Concertgebouw Great Hall in Amsterdam. "Noble fantasy" is the recording of the following year of EMI session recording, which is slightly faster, 20 minutes 2 seconds compared to the session 20 minutes 35 seconds.
"Kiyuya" is a violent and rich performance famous among fans. Klemperer could not make a session recording of Schönberg who was familiar with Kenmpura, but in this case it expresses a wonderful feeling of young Schönberg here.
"Spanish garden night" is also the only recording. Although it is music like modern symphonic poetry played by solo piano solo, the command of Klemperer before the major injury is instantly physical tendency, and it can be said that it is heterogeneous and interesting in the performance of this work by the atmospheric approach subject.
Disc 29
● Bach: Orchestra Suite 2nd Minor BWV. 1067
Friends of Music
Recording: December 14, 1942
● Mendelssohn: Play accompaniment "Midsummer Night's Dream" op.61 (excerpt) (German singing )
Concertgebouw Orchestra
Recording: November 3, 1955
Gluck: Opera "Orfeo and Eurydice" ~ "Chaconne"
Concertgebouw Orchestra
Recording
Recording at the Concertgebouw Great Hall in Amsterdam on June 22, 1961 . Sound quality is difficult.
"Midsummer Night's Dream" (10 song composition) is a tempo of 43 minutes 9 seconds faster than the 1960 EMI session recording 47 minutes 53 seconds. Scherzo etc. It is quite different. It is surprising that the finale. The introduction section by Klemperer is played for about 49 seconds at the beginning. Since we did not do this introduction part playing using material such as "marriage marching" and overture and session recording, the freedom of Klemperer in demonstration is remembered. Incidentally, Klemperer had made a change to replace the tail at Mendelssohn "Scotland" in Bayern in the following year, but is that the original ancestor? Although this is "addition", though.
Gluck's "Chaconne" is the only recording of Klemperer. Prior to the war was a repertoire unique to Klemperer who was ambitiously working on Gulc opera performances.
Disc 30
● Mahler: Symphony No. 4 in G major,
Maria · Stodder (soprano)
Concertgebou Orchestra
Recording: November 10, 1955
● Mozart: Serenade No. 13 "Eine Kleine Nacht Musique"
Concertgebow Orchestra
Recording: 1955 November 10
Recording at the Concertgebouw Great Hall in Amsterdam. Mahler's Symphony No. 4 is 52 minutes shorter than the 54 minutes and 53 seconds of the EMI session recording, which is about two minutes faster, but the third movement is opposite 19 minutes 5 seconds and the session is 18 minutes 9 Seconds and about 1 minute late are noted.
"Aene Kleene Nacht Musique" is a tempo that is quicker, 16 minutes and 8 seconds, compared to the 4th month different 1956 EMI session recording 17 minutes and 48 seconds.
Disc 31
● Beethoven: Symphony No. 3 Hohho Major op.55 "Hero"
Concertgebouw Orchestra
Recording: July 7, 1955
● Mozart: Symphony No. 25 in G minor K.183
Concertgebouw Orchestra
Recording: January 1951 January 18th
Mozart: "Funerary Music for Freemasonry" K.477
Concertgebouw Orchestra
Recording: July 12, 1951 Recording in the
Concertgebouw Great Hall in Amsterdam. "Hero" of 1955 recording is much faster than 49 minutes 7 seconds, 52 minutes 27 seconds of EMI session recording after 5 months.
The Mozart Symphony No. 25 is surprised at a furious speed of 16 minutes 23 seconds against the 1956 EMI session recording 19 minutes 15 seconds. Especially the first movement is intense.
Mozart "Funerary Music for Freemasonry" is 4 minutes 59 seconds against the 1964 EMI session recording 5 minutes 26 seconds.
Disc32
● Beethoven: Symphony No. 6 in F major op.68 "Pastoral"
Concertgebouw Orchestra
Recording: July 7, 1955
● Beethoven: Symphony No. 8 in F major op.93
Concertgebouw Orchestra
Recording: 5 May 1949
Recording at the Concertgebouw Great Hall in Amsterdam one day . "Rural" is 42 minutes 58 seconds and it is faster than the 45 minutes 58 seconds of the 1957 EMI session recording.
Beethoven: Symphony No. 8 is now much faster than the 27 minutes 51 seconds of the 1957 EMI session recorded at 23 minutes 58 seconds. It is a very powerful performance.
Disc33
● Mahler: Symphony No. 2 in C minor, "Resurrection"
Kathleen Ferrier (contralto)
Joe Vincent (soprano)
Concertgebouw Orchestra & Chorus
Recording: July 12, 1951
recording in Concertgebouw large hall of Amsterdam . Total 71 minutes 26 seconds and the fastest performance in this work's CD. Away from the Budapest State Opera of the post, is Klemperer to finally return activities in Western Europe has been in full swing even yell enough. Including the singing of a ferrier is a great content.
Disc 34
● Mendelssohn: Overture "Fingal's Cave" op.26
Concertgebouw Orchestra
Recording: December 4, 1947
● Bruckner: Symphony No. 4 Everyday major WAB.104 "Romantic"
Concertgebouw Orchestra
Recording: 1947 12
Recording at the Concertgebouw Great Hall in Amsterdam on April 4 . "Fingal's Cave" was recorded in 1947 and the performance time was 8 minutes 42 seconds, which is significantly faster than the 1960 EMI session recording 10 minutes 13 seconds. At that time, Klemperer became the music director of the Budapest Opera National Opera, it was a serious injury in 1954 and before the burn in 1958, which is a quick tempo.
Total 53 minutes 51 seconds and 1951 VOX session recording is not about 51 minutes 20 seconds but quite fast playing. Haas version.
Disc 35
● Bruckner: Symphony No. 7 Mobiho Major WAB.107
BBC Symphony Orchestr
Recording: December 2, 1955
Disc36
● Beethoven: Symphony No. 9 in D minor op.125 "chorus"
Maria Stader (soprano)
Grace Hoffman (mezzo-soprano)
Waldemar-Kumento (tenor)
Hans Hotter (baritone)
Cologne Radio Choir
Cologne Radio Symphony Orchestra
Recording
Recording in Cologne on January 6, 1958 . Session recording with the Philharmonia, which was conducted just before, while same interpreted as a live recording, or from the orchestra and chorus difference, the point of people here are full of more solid strength. Two male voice soloists are in common with Philharmonia, and they are approaching with a divine powerfulness like Wotan, like Hotter's singing. The chorus part is still powerfully overcome, and the impression that the unique style of Klemperer, which emphasized the existence feeling more than the mystique, is more thorough.
Disc 37
● Bruckner: Symphony No. 8 H minor WAB.108[Novak version]
Cologne Broadcast Symphony Orchestr
Recording: Recording in Cologne on June 7, 1957
. Klemperer but had come out in outrage that the EMI session recording would cut a third subject of the reproduction section and the large part of the expanded portion of the fourth movement, he had been playing in the full-length here. Tempo was also quite late in session recording, but this is the first time in 71 minutes 53 seconds, which is quite fast.
Disc 38
● Mozart: Symphony No. 29 in A major, K201 / 186a
Cologne Gürzenich Symphony Orchestra
Recording: September 9, 1956
Mozart: Symphony No. 41 major K.551 "Jupiter"
Cologne Gürzenhi Orchestra
Recording: 1956 9 Monday, 9th
Mozart: Serenade No. 13 "Eine Kleine Nacht Musique"
Cologne Gürzenhi Orchestra
Recording: September 9, 1956
recording at the Montreux Music Festival. The Mozart Symphony No. 29 is recorded two years after EMI session recording, and the performance time is about 23 minutes 25 seconds and 1 minute 20 seconds faster than the session 24 minutes 43 seconds.
Symphony No. 41 "Jupiter" is a recording of two years after EMI's first session recording, and the performance time is 28 minutes 53 seconds for the session and 32 minutes 53 seconds for the performance time. For the live performers I repeat the first movement presenting department. "Aene Kleene Nacht Musique" is a tempo that is a sharp tempo of 17 minutes 5 seconds, compared to the semi-annual difference of 1956 EMI session recording 17 minutes 48 seconds.
Disc 39
● Beethoven: Symphony No. 4 Denomi major op. 60
Cologne Radio Symphony Orchestra
Recording: October 25, 1954 ● Yanagcec
: "Symphonietta"
Cologne Radio Symphony Orchestra
Recording: February 27, 1956
● R. Strauss: Symphony Poetry "Don · Fan" op.20
Cologne Radio Symphony Orchestrating
Recording: February 27, 1956
Two types of recordings of Yanagek "Sinfonietta" were left behind, the performance of 1951 with Concertgebouw was 23 minutes and 5 seconds, Cologne Although the total is similar to broadcasting sound in 23 minutes and 16 seconds in 1956, in the Cologne board, the second movement is 12 seconds late, the third movement is 23 seconds faster, the fifth movement is 18 seconds later, Tempo setting is quite different.
"Don Fan" was recorded four years ago in the EMI session recording, and the performance time is 16 minutes 9 seconds and 1 minute 4 seconds faster than the session time 17 minutes 13 seconds.
Disc 40
● Bach: Orchestra Suite 3rd Anniversary BWV. 1068
Cologne Radio Symphony Orchestra
Recording: October 17, 1955
● Brahms: Symphony No. 1 H minor op.68
Cologne Radio Symphony Orchestr
Recording: October 17, 1955
Brahms was sold (believed) to believe that Knappers Bush played, and among the fans was especially famous. It is an attraction that can not be answered by shaping the whole story as frightening. It is 41 minutes 44 seconds faster than EMI session recording 44 minutes 13 seconds.
The Bach Orchestra Suite 3 is 22 minutes 59 seconds, and the 1954 EMI session recording is close to 23 minutes 10 seconds.
Disc 41
● Beethoven: Symphony No. 3 Hohho Major op.55 "Hero"
Cologne Radio Symphony Orchestra
Recording: February 8, 1954
● Stravinsky: "Pulcinella" Suite Suite
Bayern Broadcast Symphony Orchestr
Recording: September 27, 1957
"Hero" is a much faster and more energetic finish of 47 minutes 12 seconds, whereas the famous EMI session recording performed in 1954 was 49 minutes 27 seconds.
Disc42
● Mahler: Symphony No. 4 in G major
Erufuride-Toretcheru (soprano)
Cologne Radio Symphony Orchestra
recording: February 21, 1954
● Hindemith: Suite "noble illusion"
Cologne Radio Symphony Orchestra
Recording: February 8, 1954
Total time 49 minutes 9 seconds, I made the fastest among all of Mahler No. 4 of the disk, because the shortness of time is mainly due to the time that the third movement of 16 minutes and 52 seconds, in addition to the movement It is not that extremely fast. However, compared with the EMI board of studio recording, the impression will differ greatly again because it is different by 5 minutes in total. One feature of this performance is, and that the tempo setting, full of image driving force as it is of the work is being carried out by a number of phrases that flurry, will be the fact that the fascinating scene is continuously formed . There is no atmosphere, such as look carefully the scenery to stop the foot as EMI board is here, but the swagger in a comfortable tempo, there is a flavor such as actively enjoy each of the scenery. The soprano's Tretschel is also a sophisticated song with bright and carefree singing.
In the "noble illusion" the recording of the previous eight months of the EMI session recording, to the session 20 minutes 35 seconds, has become in 20 minutes 14 seconds and close numbers.
Disc43
● Beethoven: Symphony No. 1 in C major, op.21
Cologne Radio Symphony Orchestra
recording: February 21, 1954
● Beethoven: Symphony No. 8 in C major, op.21
Cologne Radio Symphony Orchestra
Recording: May 28, 1955
● Beethoven: "Egmont" Overture op. 84
Cologne Radio Symphony Orchestra
Recording: May 28, 1955
● Mozart: Serenade No. 6 innovation KV.239 "Serenata / Notturna"
Cologne Radio Symphony Orchestrating
Recording: October 25, 1954
Disc 44
● Bruckner: Symphony No. 4 Hohho major, WAB.104 "Romantic"
Cologne Radio Symphony Orchestra
Recording: April 5, 1954
● R. Strauss: Symphonic poem "Funny Prank of Till Eileen Spiegel" op.28
Cologne Broadchen Symphony Orchestra
Recording: October 25, 1954
Bruckner was a famous performer from several labels in the past, even when compared with the recording with Philharmonia tube later, the tempo is shorter by 4 / 1.5 minutes overall It is getting. Novak version.
Disc45
● Mozart: Symphony No. 29 in A major K201 / 186a
Cologne Radio Symphony Orchestra
Recording: February 8, 1954
Mendelssohn ●: play incidental music "A Midsummer Night's Dream" op.61 (German singing)
Kate Mailer = Gee Perman (soprano)
Hannah Ludwig (mezzo-soprano)
Cologne Radio Choir
Cologne Radio Symphony Orchestra
recording: June 9-11, 1955
performance than those with superior characteristics of both of the mid-50's Klemperer unique, in particular, Mendelssohn has good footwork with a modest weight of this period unique, attractive finish to match the content of the work.
Disc46
● Gluck: Opera "Iphigenia in Aulis" Overture
Cologne Radio Symphony Orchestra
Recording: February 27, 1956
Mozart ●: Symphony No. No. 29 in A major K201 / 186a
Bavarian Radio Symphony Orchestra
Recording: 1956 April 12,
Haydn ●: Symphony No. 101 in D major "clock"
the Bavarian Radio Symphony Orchestra
recording: October 19, 1956
"Iphigenia in Aulis" Overture to the EMI session recording is 11 minutes and 39 seconds, minutes and 11, making it as fast as 39 seconds.
Disc 47
· Bruckner: Symphony No. 7 Ho major, WAB.107
Bayern Broadcast Symphony Orchestrating
Recording: April 12, 1956
Total Time is a 65-minute period of Philharmonia in 1960, a Bayern board of 58 minutes and a fast tempo throughout the entire movement While setting, rich facial expressions are incorporated up to the details, and the performance style with a high tension is unique in this period Klemperer. Novak version.
Disc 48
● Mahler: Symphony No. 4 in D major
Elisabeth Lindermeier (soprano)
Bayern Broadcast Symphony Orchestrating
Recording: October 19,
1966 An injury caused by a Tarap fall accident was healed, and the performance of Klemperer's energy was outstanding. Impression that tempo setting full of propulsive force is carried out intact image of the work, and fascinating scenes are formed continuously by many phrases which fly. There is no atmosphere like stopping your feet like the EMI board and looking at the scenery thoroughly, but there is a feeling that you will sweep with a comfortable tempo and actively enjoy each scenery. The soprano Lindermeyer who is also the conductor conductor Mrs. Kempe also has a beautiful singing voice.
Disc 49
● Bach: Orchestra Suite 3rd Minor BWV. 1068
Switzerland Romand Orchestra
Recording: March 6, 1957
● Beethoven: Symphony No. 7 in A major, op.92
Swiss Romand Orchestra
Recording: March 6, 1957 Day
Disc50
● Beethoven: Symphony No. 3 in E flat major op.55 "hero"
Berlin Radio Symphony Orchestra
recording: March 29, 1958
● Beethoven: "Egmont" Overture op.84
Berlin Radio Symphony Orchestra
Recording: 1958 March 29 Day
Disc51
● Beethoven: Symphony No. 2 in D major op.36
Berlin Radio Symphony Orchestra
recording: March 29, 1958
● R. Strauss: "Till Eulenspiegel's Merry Pranks" Symphonic Poem op.28
Berlin Radio Symphony Orchestra
recording : January 21, 1957
● Hindemit: Suite "Noble illusion"
Swiss · Romando Orchestra
recorded: March 6, 1957
Disc 52
● Brahms: Symphony No. 2 major number major major op.73
Berlin Radio Symphony Orchestrating
Recording: January 21, 1957
● Mozart: Symphony No. 40 in G minor KV.550
Berlin Radio Symphony Orchestra
recording: January 21, 1957
● Mozart : "Don Giovanni" Overture
Residentate Orchestra
Recording: June 26, 1954
Disc 53
• Mozart: Serenade No. 6 innovation KV.239 "Serenata Notoruna"
RIAS Symphony Orchestra
Recording: December 21, 22, 1950 19th
Mozart: Symphony No. 25 in G minor KV.183
RIAS Symphony Orchestr
Recording: 1950 12 Monday 20
● Mozart: Symphony No. 29 in A major, KV. 201
RIAS Symphony Orchestr
Recording: December 20, 1950
Disc 54
• Mozart: Symphony No. 38 in D major, K.504 "Prague"
RIAS Symphony Orchestra in Berlin
Recordings: December 22, 23 December 1950
● Mozart: Serenade No. 11 Ehoshiho Major K.375
Berlin RIAS Symphony Orchestr
Recording: 1950 December
● Hindemit: Suite "Noble illusion"
Berlin RIAS Symphony Orchestr
Recording: February 15, 1954
Disc 55
● Haydn: Symphony No. 101 in major, "Watch"
Berlin RIAS Symphony Orchestr
Recording: February 12, 1956
● Beethoven: Symphony No. 6 in F major op.68 "Country"
Berlin RIAS Symphony Orchestr
Recording: February 1954 On 15th,
Haydn has a remarkably different approach from the relatively normal playing on the studio board, which is distinguished by the vigorous sharpness of sharpness, the shade of shade, and the strong bat philosophy.
Disc 56
• Mahler: Symphony No. 4 in G major
, Erfurde de Trechel (soprano)
Berlin RIAS Symphony Orchestr
Recording: February 12, 1956
● R. Strauss: Symphonic poem "Til Eileen Spiegel's delightful prank" op.28
Turin RAI Symphony Group
recording: December 21, 1956
Disc 57
● Haydn: Symphony 101nd major, "Watch"
Turin RAI Symphony Orchestra
Recording: December 21, 1956
● Shostakovich: Symphony No. 9 Eho Major op.70
Turin RAI Symphony Orchestr
Recording: December 21, 1956
Disc 58
● Beethoven: Symphony No. 7 in A major, op.92
Berlin RIAS Symphony Orchestrating
Recording: October 1, 1954
● Stravinsky: "Pulcinella" suite
Turin RAI Symphony Orchestr
Recording: December 21, 1956
Disc 59
● Wagner: "Mystinginger of Nuremberg" First Actor Prelude
Turin RAI Symphony Orchestra
Recording: December 17, 1956
● Schubert: Symphony No. 7 (8) minor D minor D. 759 "Incomplete"
Turin RAI Symphony Orchestra
Recordings: December 17, 1956
● Beethoven: Symphony No. 1 in C major op.21
Turin RAI Symphony Orchestrating
Recording: December 17, 1956 Clenpeller
guests in the orchestras around the world after the war, visiting Italy many times Although some live recordings are also left, there were also difficulties that many recordings and orchestra's conditions are not good. Inside in 1956 the recording was blessed with conditions, "My Stagingger" is vividly depicting each part.
Disc 60
● Bruckner: Symphony No. 7 ho major, WAB.107
Berlin · Philharmonic Orchestra
Recording: September 3,
1958 Live recording at the Lucerne Music Festival on September 3, 1958. It is characterized by Kurenperer's "tight cigarette whole body burns heavy case" just before the occurrence of a heavy body burning event, a high tension atmosphere reflecting the healthy state of health and the heavy sound of the Berlin Phil, but two years have passed since the Bayern board It seems that it may be said that it is suitable for the work that it is a somewhat calm performance other than Adagio.
Disc 61
● Bruckner: Symphony No. 7 ho major, WAB. 107
Vienna Symphony Orchestr
Recording: February 26, 1958
Disc62
● Mahler: Symphony No. 4 in G major
Teresa Stich = Randall (soprano)
Vienna Symphony Orchestra
recording: June 21, 1955
● Purcell: Suite "The Fairy Queen"
Vienna Philharmonic Orchestra
Recording: August 24, 1947
Disc 63
● Mozart: Symphony No. 29 in A major, K201 / 186a
North German Radio Symphony Orchestrating
Recording: September 28, 1955
● Beethoven: Symphony No. 7 in A major op.92
North German Radio Symphony Orchestrating
Recording: September 28, 1955
Beethoven is No. 7 in the good song, here approach in is similar to the EMI the former board (1955), it does not have carried out is such as the first movement Introduction part octave up, such as the 1960 board.
In number 29 also Klemperer good songs of Mozart, did shows the aesthetics also wonderful, such as the 1963 live, dominant more life force is strong vivacious image in this performance. Would cause even healthy thing of horn, but feel the propulsive force than dignity, is likely to be thought of as a worthy but rather the work of the young Mozart.
Disc 64
● Mozart: Symphony No. 39 Hookei major, K.543
Hungarian Radio Symphony Orchestrating
Recording: April 17, 1949
● Bach: Orchestra Suite 4th Birthday BWV. 1069
Hungarian Radio Symphony Orchestr
Recording: January 1949 Day
● Bach: Orchester Suite 2nd Minor BWV. 1067
Hungarian Radio Symphony Orchestr
Recording: June 24, 1949
Disc 65
● Mahler: "Song of the Earth"
Yudit Shaun Dol (soprano)
Endre · Wrestler (tenor)
Budapest Symphony Orchestra
Recording: November 2, 1948
● Bach: Brandenburg Concerto No. 5 major D major BWV.1050
Hungarian Radio Symphony Orchestra
Recording: January 13, 1950
● Mozart: "Funerary Music for Freemasonry"
Hungarian Radio Symphony Orchestra
Recording: November 2, 1948
Klemperer's first important work returned to Europe after the Second World War , A director of music at the Hungarian State Opera, performing performances noteworthy such as Wagner and Mozart. The characteristic of the performance at this time is that the tempo is fast anyway. Again here is a total of 50 minutes and 40 seconds, which is faster than the VOX recording three years later known fast, has become a performance time faster than two minutes, is the fastest performance in the history of "Earth earth" history. Although it differs from the later EMI board by 13 minutes in fact, the basic interpretation has not changed, a rough sense because of the momentum, a powerful singing by two Hungarian singers is the original Klemperer's " Earth singing "that is also the taste of bleaking · fighting further emphasizing the aspect of painfulness. Although it is a live recording of 1948, the sound quality is not clear, but for Klemperer · fans I think that it can be said that it is a precious recording as a material.
Disc66
● Mahler: Symphony No. 2 in C minor "Resurrection"
Galina · Vishnevskaya (soprano)
Hildegard · Wrestle = Maidan (Alto)
Vienna Raku Association Choir
Vienna Philharmonic Orchestra
Recording: June 13, 1963
Disc 67
Mahler: Symphony No. 2 in C minor "Resurrection"
Varda Bagnol (soprano)
Florence · Taylor (Alto)
Haarstone Chorus Association
Sydney Symphony Orchestr
Recording: September 1950 The
fastest in everyday history. Broadcast recording of a concert with great success in directing the Sydney Symphony Orchestra. After the performance, it is a legendary performance that clapping like thunder gushed after silence, but because of the old live sound quality people are still at the same level at that time. Besides, the lyrics are in English version, but even though there are very few missing, the interpretation of Klemperer itself is really wonderful with power. Its fearless form, tension and euphoria are wonderful, and the atmosphere is very similar to the famous concert bohemian of the following year.
Disc68
● Schubert: Symphony No. 7 (8) minor D minor, D. 759 "Incomplete"
Budapest Philharmonic Orchestra
Recording: June 18, 1948
Brahms: Symphony No. 1 in C minor op.68
France National Orchestra of the Orchestra
Recording: September 17, 1954
Disc69
● Beethoven: "Leonore" Overture No. 3 op.72b
Los Angeles Philharmonic Orchestra
Recording: 1945 December 16,
Bach ●: Orchestral Suite No. 3 in D major BWV.1068 ~ "Aria"
Los Angeles Philharmonic Orchestra
recording : December 16, 1945
● R. Strauss: Symphonic poem "Don Juan" op.20
Los Angeles Philharmonic Orchestra
recording: 1945 December 16
● Brahms (Schoenberg ed.): No. 1 op piano Quintet .25
Los Angeles Philharmonic Orchestra
Recording: May 7, 1938
Disc 70
● Berlioz: Opera "Benvenuto Cellini" Overture op.23
Los Angeles Philharmonic Orchestra
Recording: January 1, 1938
● Mozart: Symphony No. 35 in D major, K.385 "Hafner"
Los Angeles Philharmonic Orchestra
Recording: 1938 January 1st of the year
● Debussy: "Prelude to the afternoon of the fauna"
Los Angeles Philharmonic Orchestra
recording: January 1, 1938
● R. Strauss: Symphonic poem "Tyr Eulen Spiegel's delightful prank" op.28
Los Angeles Philharmonic Orchestra
Recording: January 1, 1938
● Handel (Schönberg): Concerto Grosso op.6 - 7
Los Angeles Philharmonic Orchestra
Recording: January 6, 1938
Disc71
● Verdi: Opera "Sicily evening of prayer" Overture
Los Angeles Philharmonic Orchestra
Recording: January 1, 1935
● Beethoven: Symphony No. 5 in C minor, op.67 "fate"
Los Angeles Philharmonic Orchestra
Recording: 1935 January 1, year
● Wagner: "Die Meistersinger von Nürnberg" act 1 prelude
Los Angeles Philharmonic Orchestra
recording: January 1, 1935
Wagner ●: "Rienzi" Overture
Los Angeles Philharmonic Orchestra
recording: June 1937 6 days
● Gershwin: prelude No. 2
Los Angeles Philharmonic Orchestra
recording: September 8, 1937
● Albeniz (Arubosu ed.): Suite "Iberia" - "Turiana"
Los Angeles Philharmonic Orchestra
recording: June 1937 6 Day
Disc72
● J. Strauss: "Die Fledermaus" Overture
Los Angeles Philharmonic Orchestra
Recording: February 11, 1945
Tomah ●: opera "Mignon" Overture
Los Angeles Philharmonic Orchestra
Recording: February 11, 1945
Bach ●: "you purchase decisions are in the buckwheat "BWV.508
Los Angeles Philharmonic Orchestra
recording: February 11, 1945
● Bruckner: Symphony No. 9 in D minor WAB.109
New York Philharmonic Symphony Orchestra
recording: October 14, 1934
Bruckner, Klemperer was exiled to the United States, performance that led the New York Philharmonic in the Toscanini era. It is about 10 minutes faster than the latest EMI board.
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