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U P L O A D E R
Aaron Copland Conducts Copland: The Complete Columbia Album Collection (2024)
XLD Rip | FLAC (tracks, cue, log, booklet) - 4.02 GB
15:48:12 | Classical | Label: Sony Classical
The “Dean of American Composers” was a formidable interpreter of his music. Gramophone called Aaron Copland “a splendid advocate of his own scores,” and shortly after his death in 1990 the New York Times wrote: “Composers’ performances are not always definitive, but Copland was a fine, communicative conductor and pianist, and Columbia recorded him with first-rate orchestras and soloists. … In every way, these recordings must be regarded as the heart of the composer’s discography.” As a gifted pianist, Copland took part in the earliest recordings of his music back in the 1930s, as well as in many others that followed over nearly three decades. Although it wasn’t until 1950 that he first conducted in a studio, he later took up the baton with increasing frequency. He once said to the choreographer Agnes de Mille: “I don’t think I’m ever going to compose anything else. I’m having such a good time conducting.” Aaron Copland not only created some of the most original, influential and appealing compositions in the history of American music. He also left posterity a body of recordings that illustrate exactly how he wanted these pieces to go – a priceless legacy of authentic performances, the “heart of the composer’s discography.”
Tracklist
XLD Rip | FLAC (tracks, cue, log, booklet) - 4.02 GB
15:48:12 | Classical | Label: Sony Classical
The “Dean of American Composers” was a formidable interpreter of his music. Gramophone called Aaron Copland “a splendid advocate of his own scores,” and shortly after his death in 1990 the New York Times wrote: “Composers’ performances are not always definitive, but Copland was a fine, communicative conductor and pianist, and Columbia recorded him with first-rate orchestras and soloists. … In every way, these recordings must be regarded as the heart of the composer’s discography.” As a gifted pianist, Copland took part in the earliest recordings of his music back in the 1930s, as well as in many others that followed over nearly three decades. Although it wasn’t until 1950 that he first conducted in a studio, he later took up the baton with increasing frequency. He once said to the choreographer Agnes de Mille: “I don’t think I’m ever going to compose anything else. I’m having such a good time conducting.” Aaron Copland not only created some of the most original, influential and appealing compositions in the history of American music. He also left posterity a body of recordings that illustrate exactly how he wanted these pieces to go – a priceless legacy of authentic performances, the “heart of the composer’s discography.”
Tracklist
CD01 - Clarinet Concerto, Quartet for Piano, etc 1950
CD02 - Old American Songs, Emily Dickinson Poems 1951
CD03 - Appalachian Springs, The Tender Land 1962
CD04 - Clarinet Concerto, Old American Songs 1963
CD05 - Piano Concerto, Music for Theater 1964
CD06 - The Tender Land 1965
CD07 - Music for a Great City, Statements - 1964
CD08 - Emily Dickinson Poems, etc 1964
CD09 - Quartet, Sextet, Vitebsk 1966
CD10 - Short Symphony, Dance Symphony 1967
CD11 - Outdoor Overture, Our Town, Quite City, etc 1967
CD12 - Billy the Kid, 4 Dance Episodes 1969
CD13 - Lincoln Portrait, Appalachian Spring 1968
CD14 - Sypmphonic Ode, Orchestral Variations 1968
CD15 - Appalachian Spring 1973
CD16 - Sonata, Duo, Nonet 1968
CD17 - Danzon Cubano, 2 Latin Sketches, Dance Panels 1970
CD18 - Red Pony Suite, Music for Movies 1975
CD19 - Symphony no.3 1976
CD20 - Inscape, Connotations (Bonus) 1962
CD02 - Old American Songs, Emily Dickinson Poems 1951
CD03 - Appalachian Springs, The Tender Land 1962
CD04 - Clarinet Concerto, Old American Songs 1963
CD05 - Piano Concerto, Music for Theater 1964
CD06 - The Tender Land 1965
CD07 - Music for a Great City, Statements - 1964
CD08 - Emily Dickinson Poems, etc 1964
CD09 - Quartet, Sextet, Vitebsk 1966
CD10 - Short Symphony, Dance Symphony 1967
CD11 - Outdoor Overture, Our Town, Quite City, etc 1967
CD12 - Billy the Kid, 4 Dance Episodes 1969
CD13 - Lincoln Portrait, Appalachian Spring 1968
CD14 - Sypmphonic Ode, Orchestral Variations 1968
CD15 - Appalachian Spring 1973
CD16 - Sonata, Duo, Nonet 1968
CD17 - Danzon Cubano, 2 Latin Sketches, Dance Panels 1970
CD18 - Red Pony Suite, Music for Movies 1975
CD19 - Symphony no.3 1976
CD20 - Inscape, Connotations (Bonus) 1962
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